Configurar el entorno
Qu茅 aprender谩s para hacer colorizaci贸n en DaVinci Resolve
Introducci贸n al conformado
Descripci贸n de la p谩gina de color
Descripci贸n de la p谩gina de color: Palette panel
Scopes: correcci贸n de luz y wb
Scopes: correcci贸n de la piel
Preparar los planos para la correcci贸n de color. Primera etapa
Flujo de trabajo
Trabajando con nodos: serial y paralelo
Trabajando con nodos: layer mixer, key mixer y outside node
Configurando la exposici贸n
Balance de blancos
Shot to shot matching
Aplicar aislamiento. Segunda etapa
Cleanup with HSL
Cleanup with Curves
Cleanup with Power windows
Enfocando
Crear el look. Tercera etapa
Creando un mood
Sugiriendo la hora del d铆a
Day for night look
Orange teal look
B&W look
Aplicar looks building: utilizar Luts
Dominar la teor铆a del color
Introducci贸n a los contrastes de color
Contraste de luz
Contraste de Hue
Contraste de temperatura.
Contraste con colores complementarios
Contraste de saturaci贸n
Finalizar un proyecto de colorizaci贸n
P谩gina de render
Despedida y consejos finales
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White balance is essential to ensure that the colors in our recordings are accurate. We correct the color temperature to avoid images looking too cool (with predominantly blues and greens) or too warm (with yellows and whites). In addition, it is important to consider the effect of tinting, which can be influenced by both the type of light and the characteristics of the camera used. For example, neon lights tend to generate a magenta tint, while fluorescent lights tend towards green.
We can correct white balance using three main methods: primary wheels, curves and auto white balance.
In this method, we start by working with the primary wheels within an editing tool. The goal is to adjust the colors so that the whites of the image are presented in a parallel and uniform line on the 'parete', a type of scope that helps us visualize the color balance. For example, if blues predominate in the images, we can counterbalance with warm yellow tones until the desired neutrality is achieved.
To use the curves method, we first unlock control of the separate color channels: red, green and blue. When adjusting these curves, we seek to align them all around a reference level, such as 1023, to ensure a balanced image. This approach allows specific control over each color, essential for correcting specific color deviations in an image.
Auto white balance is a feature that simplifies the correction process. You need to identify an area in the image that should be white and select that portion. The program will automatically adjust the colors until the selected area is correctly represented in the image. This can be particularly useful when you have a clear reference point and want a quick and efficient correction.
To illustrate how these methods are put into practice, consider moments of adjustment for a video clip. We start with the light node, make preliminary adjustments to exposure and brightness, and then apply white balance corrections. At the end, the tool allows us to clearly see the difference between before and after, showing a noticeable improvement in color rendering and image clarity.
It is essential, both during recording and editing, to keep in mind which parts of the scene are white. This will facilitate the process in post-production and improve your results with auto white balance. Continuous practice in different lighting conditions and scenarios will help you to perfect your color correction skills.
The range and accuracy that correct white balance can bring to your projects is remarkable. Not only does it ensure accurate color rendering, but it also enhances the visual quality of your work. Dare to apply these techniques and see how you can transform the essence of an image or video. Color accuracy is key to telling effective visual stories, so keep practicing and improving!
Contributions 9
Questions 2
WHITE BALANCE
ANTES:
DESPUES:
ANTES:
DESPUES:
Pens茅 que ser铆a complicado balancear los blancos, gracias Platzi.
Que buena clase
WB sin correcci贸n
WB con correcci贸n
WB sin correcci贸n
WB con correcci贸n
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