Adjetivos posesivos para comentar obras de arte en inglés

Pablo Picasso, a revolutionary force in modern art, reshaped the artistic landscape with unparalleled versatility. Born in 1881 in Spain, Picasso co-founded Cubism, a transformative movement that shattered traditional perspectives. His groundbreaking painting, “Les Demoiselles d’Avignon” (1907), with its angular and fragmented forms, marked a radical departure from conventional representation. Picasso’s ability to continuously reinvent_** his style**, from Blue and Rose Periods to Surrealism, showcased an unyielding creativity that left an indelible mark on the trajectory of modern art. His influence remains pervasive, and his legacy is synonymous with a ceaseless pursuit of artistic innovation.

Vincent van Gogh, a tormented genius of Post-Impressionism, imbued his work with intense emotion and vibrant colors. Born in 1853 in the Netherlands, van Gogh’s iconic painting, “Starry Night” (1889), captures the swirling night sky above a tranquil village**. His bold** use of color and dynamic brushstrokes evokes a profound sense of passion and turmoil. Van Gogh’s significance lies in** his ability** to convey the depth of human experience through art, making his work a touchstone for those seeking a visceral connection to the emotional power of painting. Despite his struggles during his lifetime, van Gogh’s artistic vision and contribution to the world of art endure as a testament to the transformative and transcendent nature of creative expression.

Frida Khalo was one of the main representatives of Mexican culture. One particular piece is "Diego and I", one of Frida's most interesting masterpieces because of its profound context. An interesting artwork by Van Gogh is "The Starry night" for HIS particular use of color and shapes that express a wave of emotions in HIS viewers.

"Swirling" refers to a movement that is characterized by a twisting or spiraling motion. In the context of art, especially when discussing paintings like "The Starry Night" by Vincent van Gogh, it describes how colors and forms seem to move dynamically, creating a sense of energy and fluidity. This can enhance the emotional impact of the artwork, making it feel alive and vibrant.

Pablo Ruiz Picasso has been one of the most famous artists of the 20th century. During his artistic career, which began when he was very young and lasted more than 75 years, he created hundreds of works; not only paintings, but also sculptures, engravings, illustrations and ceramics, using all kinds of materials. Picasso became famous as one of the pioneers of Cubism, which he created together with Georges Braque, and continued to develop his different artistic facets at a pace comparable to the speed of the cultural and technological changes of the 20th century, whose art he dominated and revolutionized. Each change inspired some new and radical idea, so it could be said that Picasso lived several artistic lives. Picasso was born on October 25, 1881 in Malaga, in southern Spain, the son of the artist, José Ruiz and María Picasso. Instead of adopting the surname Ruiz, very common in Spain, the young Picasso preferred to use his mother's surname, which was more unusual. He was a precocious artist, and it is said that his first words were “piz, piz”, in an attempt to say “pencil”. In 1891, the family moved to Galicia, where Picasso began to excel with his drawings. At the age of 14, he passed the entrance exam for the Academy of Fine Arts in Barcelona, ​​where his father was a professor from 1895, in just one day, in a new display of precocity. From there he entered the Academy of San Fernando in Madrid, but did not adapt to the cultural environment of the capital. He returned to Barcelona in 1900, and began to frequent the Els Quatre Gats café, where all the artists and intellectuals related to modernism met. It was in Barcelona that he began to move away from the traditional methods of execution in which he had been educated, to move towards an experimental and innovative approach. He later summed up his successes: “When I was a child, my mother told me: ‘If you become a soldier, you will be a general. If you become a monk, you will end up as Pope.’ Instead, I became a painter and ended up being Picasso.” Picasso left Spain shortly after the turn of the century, this time for Paris, beginning what is known as his blue period. For almost two years, his paintings were dominated by this colour, which represents his deep depression following the death of his close friend Carlos Casagemas. The influence of artists such as El Greco, Van Gogh and Gauguin is evident in the works of this period. Only his love affair with the model Fernande Olivier, who became his inspiration until 1910, managed to get him to overcome this dark chapter in his life, and marks the beginning of his so-called pink period. Picasso’s Cubism is his best-known style. Les Demoiselles d'Avignon (1907), which depicts five naked prostitutes, is the work that culminates the phase of his career that has been dubbed proto-Cubism. This new artistic concept attempted to challenge the established norms when it came to copying nature exactly on canvas, and sought to flatten volumes and fracture objects in order to underline the two-dimensionality of the canvas. In the painting cited, spatial perspective and the classic representation of the female nude are broken; in some of the faces the influence of African art and Iberian primitivism is palpable. It was also in 1907 that Picasso met Georges Braque, the other creator of Cubism, who was enthusiastic about the new painting. However, the work came up against the lack of understanding of the style that Picasso was inventing, and he did not exhibit it until 1916, nine years later. Today it is one of the most valuable works preserved in the Museum of Modern Art in New York. Les Demoiselles d'Avignon is the starting point from which Picasso and Braque formulated Cubism, which influenced the rest of the avant-garde movements and had numerous followers, although it was Matisse who, by refusing to allow some of Braque's works to be part of the Salon d'Automne exhibition, gave the movement its name. The patronage of the collector Gertrude Stein was a key support during the years of early Cubism. After a brief adventure with Classicism during the First World War, Picasso adopted a new style in his art around 1925: Surrealism, the natural successor to Cubism. His paintings The Dance and The Kiss are the first in this style. Both, like many from this period, highlight the tension between the painter and his first wife, the Ukrainian dancer Olga Kholkhlova, whom he had met during the war years while working on sets for the Russian ballets: aggressive or threatening female figures appear in many of these paintings. In 1927, Picasso had met the young Marie-Thérèse Walter, with whom he had begun a love affair that would last several years. The themes of the minotaur and the artist and the model, recurring throughout his career, also appear during these years. It was in January 1937, already in the midst of the Spanish Civil War, when Picasso was commissioned to create a large mural for the Pavilion of the Second Spanish Republic at the Paris International Exposition. When in April of that same year the news of the bombing of the city of Guernica (Spain) by the Nazi air force shocked the world, as it was an attack on a civilian target whose only goal was the practice of new methods of bombing. Picasso chose the bombing as the subject of his great mural, creating a large anti-war painting that has become an international symbol: Guernica, which is currently on display at the Museo Nacional Centro de Arte Reina Sofía in Madrid. During the Second World War Picasso lived in Paris, where he turned his energies to the art of ceramics. In 1943 he met the young artist Francoise Gilot, with whom he never married but would have two children, Claude and Paloma. From 1947 to 1950, he explored new methods of making lithographs. During this time he became publicly involved in politics, also joining the Communist Party, and his political ties resulted in him becoming less involved in his art. In 1957 he began to work on his 58 interpretations of Velázquez's painting Las Meninas. In 1961 he married for the second time, to Jacqueline Roque, with whom he remained until his death in 1973 in Mougins, France, at the age of 91.

María de los Remedios Alicia Rodriga Varo Uranga -Remedios Varo- was a Spanish surrealist painter, writer and graphic artist who was a political exile and naturalized Mexican who arrived in Mexico in 1941, where she became known worldwide. Despite being far from Spain, her country of origin, she was friends with Esteban Francés, Leonora Carrington, Gordon Onslow-Ford, César Moro, Eva Sulzer, Octavio Paz, Kati and José Horna, Gunther Gerzso, among Mexican and foreign intellectuals, who shared her productive stage. Remedios Varo was a member of the Society of Iberian Artists, a Logicofobista group. From this period are her works Sewing Lessons and The Liberating Leg of Giant Amoebas. In 1938 she presented her work Il est tard at the International Surrealism Exhibition. In Mexico, from 1940, where she arrived fleeing from Nazi-occupied France, she devoted herself to advertising design, restoration of pre-Hispanic objects and other creative activities. During her stay in Mexico, she met artists such as Frida Kahlo and Diego Rivera, and interacted with Octavio Paz and exiled artists and writers such as Wolfgang Paalen, Gordon Onslow Ford and Leonora Carrington, who were some of her great friends. Internationally, Varo's work was in the Gallerie Charles Ratton in Paris, in the Museum of Modern Art in New York and in Tokyo in 1937. Gradually her paintings were acquired by museums such as the MoMa in New York; the Pompidou Centre, Paris; the National Museum of Women in the Arts, Washington DC; the Museo Nacional Centro de Arte Reina Sofía, Madrid, and the Museum of Latin American Art in Buenos Aires (MALBA). Her enigmatic paintings feature androgynous beings, magical arts or occult traits. In her compositions, architectural characteristics can be perceived that make direct reference to medieval art, which, according to specialists, took her back to the Spanish castles she knew in her childhood and in her constant travels around Spain. She held her first solo exhibition in Mexico City in 1956, where she exhibited continuously. In a period of 10 years she reached pictorial maturity, obtaining success both from critics and the public. She was one of the first women to study at the Royal Academy of Fine Arts of San Fernando in Madrid, where she had Manuel Benedito and Julio Romero de Torres as teachers. It should be noted that Remedio Varo studied with Esteve Francés (1913-1976), one of the most interesting figures of the surrealist movement in Spain and who introduced her to the surrealist circle of André Bretón. At the International Surrealism Exhibition in Mexico, held in the 1940s, directed by Inés Amor at the Galería de Arte Mexicano, her work Recuerdo de la Valkyria had already been exhibited. During this same period, Remedios did various advertising jobs and collaborated with Marc Chagall on the costumes for the ballet Aleko, which premiered at the Palacio de Bellas Artes. In 1952, she married the Austrian Walter Gruen, a refugee politician devoted to her work who convinced her to devote herself exclusively to painting and provided her with stability. She remained with Gruen until his death. In 1955, the surrealist artist presented works in her first collective exhibition, at the Galería Diana in Mexico City, followed the following year by a solo exhibition. In 1958, she won first place in the First Salón de la Plástica Femenina at the Galerías Excélsior. Remedios' life was surrounded by mysticism, her themes of interest ranged from psychoanalytic theory to alchemy, as can be seen in her work. For example, in the triptych she made in 1961, which consists of the works Hacia la torre, Bordando el manto terrestre and La huida, she translates her own life story into a surrealist representation. She was born in Anglès, province of Gerona, on December 16, 1908 and grew up in Madrid, before living in Morocco, and died on October 8, 1963 in Mexico City, Mexico. Upon her death, André Breton wrote: Surrealism claims all the work of a sorceress who left too soon.

**Vincent van Gogh:** Vincent van Gogh's "Starry Night" is one of his most famous paintings. The use of swirling colors and energetic movement in the night sky is characteristic of van Gogh's post-impressionist style. **Frida Kahlo:** Frida Kahlo's "Self-Portrait with Thorn Necklace and Hummingbird" is a powerful piece. The painting, which includes elements of Mexican folk art and deep symbolism, reflects Kahlo's personal struggles and resilience.

Pablo Picasso was a polemical Spanish artist, whose groundbreaking approach to art made him a central figure in the development of modern art. Best known for co founding the cubist movement, **his art was** not only innovative in terms of form and technique but also rich in symbolic and emotional.

* "My" (mi, mis) * "Your" (tu, tus) * "His" (su, sus) / "Her" (su, sus) * "Its" (su, sus) - utilizado para objetos o animales * "Our" (nuestro, nuestra, nuestros, nuestras) * "Your" (su, sus) - usado de manera formal o plural * "Their" (su, sus)

The most important figure in The Renaissance is Leonardo Da Vinci, his contributions were important to advance The Science, in specific topics such as aerodinamics, matemathics, painting style, and anatomy.

A brief drescription :short descripción Possesive forms This particular piece is one of the artist's Masterpieces Both of picasso's pieces

**Vincent van Gogh's** painting is sucah well-known painting around the world, It shows the way that the artist use to see the world with that surrealism and a little bit of sadness. **Frida Khalo's** kahlo work represents the pain of herself, because she had an accident which let her in a very bad situation, so her artwork represents her paint and how she dealed with the pain.

Remedios Varo was a good artist, she was the first artist to enter the royal academy. In World War II she was imprisoned, and as a curious fact she was finally released. she painted some pretty works among are: 1935 El tejido de los sueños 1938 Como un sueño 1938 Las almas de los montes o Los espíritus de la montaña 1942 Gruta mágica 1943 Paisaje Torre Centauro 1944 Ruedas metafísicas 1944 Invierno 1945 A mi amigo Agustín Lázaro 1947 Paludismo (Libélula) 1947 Laboratorio 1947 El hombre de la guadaña (Muerte en el mercado) 1947 La batalla 1947 Tiforal Frida Kahlo was such a good Mexican painter that she stood out for her perfect works. also for her uncompromising and brilliantly colored self-portraits that deal with such themes as identity, the human body, and death. Although she denied the connection, she is often identified as a Surrealist

Dali’s first Surrealist period was in the year of 1929 when he first joined the movement in Paris. One of his most prominent works during this period is The Great Masturbator, which was influenced by his strong attraction to the wife of Paul Eluard, Gala (Secrest 128). The main subject in this work is a large female figure with a fractured head, yet very calm and taken into deep emotions. The presence of the cracks on the face could signify a form of physical exhaustion. Nevertheless, the picture can be analyzed from different aspects since Dali was able to incorporate many odd objects to it. An example of this is what appears to be a grasshopper on the woman’s belly. This work somewhat depicts Dali’s emotions toward Gala. The appearance of Gala was a revelation for him. He saw in her the imaginary female figure that he has been long waiting for. Gala for him was an object of worship, because she represented his childhood reveries.

As his style matured, Dali’s works became more and more affected by the concept of psychoanalysis devised by Freud. Dali’s works were increasingly shaped into dreamlike illustrations. This was clearly seen in his most famous work the The Persistence of Memory, in which he depicted several clocks as melted in a desert setting with the ocean appearing below the horizon. Dreams consisted of a large segment of his life, because he would take siestas, or midday rests, in which he encounters more and more dreams (Etherington-Smith 9). He considered the siesta as a state that is achieved at the moment that one forgets about one’s body or in psychoanalysis the state of the unconscious. Yet, his dreamlike style was combined with his sexual desires to give a variety of works with different themes.

Picasso’s technique used imagination to create abstract works that explored form and structure. Picasso used colors and brush strokes to give texture to his figures which he broke down into geometric shapes. He built paintings in layers and used color to fragment the shapes of objects.

As a general rule, Picasso’s ‘weird’ and abstract style originates from painting his thoughts rather than painting what he sees. Picasso drew inspiration from the Basque people and their suffering during bombings when he painted Guernica. For this reason, he distorted faces in his paintings.

" We all know that Art is not truth. Art is a lie that makes us realize truth, at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies. If he only shows in his work that he has searched, and re-searched, for the way to put over lies, he would never accomplish anything. "

—Pablo Picasso

**Adjetivos posesivos para comentar obras de arte en inglés.** Worksheet: Choose 2 artists mentioned in this class. Tell me more about their styles and paintings using Possessive forms. Salvador Dalí (1904-1989). Also known as the greatest representative of surrealist art. Beyond a discipline, for Salvador Dalí art was a way of expressing his own eccentric and unconventional personality, which helped him stand out from the rest of the surrealist artists of the time. Dalí showed a strong tendency towards narcissism and megalomania, the aim of which was to attract public attention. As he said: "the difference between me and the surrealists is that I am surrealism", which he captured in each of his works. His most recurring themes are precisely those that explore man's most primitive instincts: The brevity of the passage of time, sexuality, or the complex and enigmatic nature of life and death. Vincent Van Gogh (1853-1890). Much has been said about his turbulent life and his madness, his famous ear and his intractable character. However, and as much as there is speculation, his art was most lucid. Van Gogh did not paint like that because he was "crazy", he didn’t see things that way, but he was a bold experimenter and a scholar in the history of art. The truth is that he was a painter very much of his time, who evolved from the typical monochrome of Dutch painting and the realism of his idols Millet or Rembrandt, to the colorful art with which we identify him today, passing through the inevitable influence of impressionism. The bright colors, the abandonment of naturalism, the shapes that seem to move or fall. All of this was the result of a logical artistic evolution rather than the delusions of a crazy man. But it would be very simplistic to affirm that his particular style (bright colors, abrupt brushstrokes, etc.) is due to his psychological state. In reality, Van Gogh painted that way because that was his style, a lucidly and consciously acquired style.

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